As a long-time admirer of Bob Odenkirk, I can trace my recognition back to the 1990s. My first encounter with his work was through the brilliant sketches on Mr. Show with Bob and David,along with memorable guest spots on various beloved sitcoms.Like many fans, I was captivated by his dramatic conversion into the cunning Jimmy McGill, also known as saul Goodman, in both Breaking Bad and its prequel series, better Call Saul. Odenkirk has consistently demonstrated his versatility as an actor, showcasing a unique charm that allows him to shine in both leading and supporting roles.
Release Date: august 15, 2025
Directed By: Timo Tjahjanto
Written By: Derek Kolstad & Aaron Rabin
Main Cast: Bob Odenkirk, Connie Nielsen, John Ortiz, RZA, Colin Hanks, Christopher Lloyd, Sharon Stone
Maturity Rating: R for intense violence and strong language
Total Runtime: 89 minutes
This brings me to my frustrations with the recent entries in the franchise. After watching the original film in early 2021—like any devoted fan—I anticipated enjoying Odenkirk’s debut as an action hero. However,I found myself disappointed by subpar writing and troubling themes.The sequel,no One 2, unfortunately exacerbates these issues; this time around it features an even more formulaic script that portrays Odenkirk’s character Hutch Mansell as a protagonist who is increasingly challenging to support despite the actor’s undeniable charisma.
The sequel relies heavily on viewers’ desire to see someone like Bob Odenkirk engage in brutal action sequences—but what once felt fresh now seems stale without any effort made to enhance the experience. The result is a narrative centered around an unlikable lead trapped in circumstances devoid of real stakes or meaningful engagement.
Hutch Mansell: A Diminishing Protagonist
The primary issue plaguingno One 2is that Hutch creates all of his own problems yet lacks sufficient likability for audiences to empathize with his attempts at redemption. The plot does not impose genuine challenges upon him; when he seeks respite from his assassin duties due to financial obligations incurred from previous actions—such as burning down a Russian mobster’s stash—it happens without significant resistance or result. Despite exhibiting selfishness and violent tendencies throughout the film there are no repercussions from those closest to him (Connie Nielsen’s Becca briefly expresses concern but quickly dismisses it).