Whereas you asked most Hollywood A-listers, the final observe fulfillment would be to personal an Oscar. No longer Amanda Seyfried. Every year, hypothesis swirls around who will land an Academy Award nomination and who might maybe presumably stroll away with the trophy. And even supposing Seyfried’s title is all as soon as more a part of the conversation, when it comes to winning a “Tiny Gold Man,” the frail Mean Ladies solid member has a standpoint I with out a doubt didn’t inquire of.
In a most modern interview with The Novel Yorker, Seyfried, who’s earning severe buzz for her dramatic performance in The Testament of Ann Lee (including a Golden Globe nomination), became as soon as asked whether winning an Oscar is one thing she actively wants. The reply from the 40-year-aged Pennsylvania native became as soon as refreshingly candid. For her, the particular priority isn’t the trophy. It’s the work itself. As she build it:
No. Enact you keep in mind who won within the previous ten years? It’s now not the procure that’s well-known. It’s the nomination. It does thrust you ahead. That’s a fact. Now, enact I need one in per week or two or at any time when? No, certainly, I don’t. Would or now not it’s gigantic? Undoubtedly it will in all probability presumably well, for every and each motive. However it isn’t mandatory. Longevity in an actor’s profession is designed. Longevity is set deliberate decisions to personal art among the large industrial things that are enjoyable and pay. But, for me, all of it’s miles art.
Seyfried additionally had a notably solid December. The e-book-to-show conceal adaptation The Housemaid premiered on the nineteenth and swiftly grew to turn out to be a well-known box-feature of job success. That identical month, Ann Lee started its small theatrical breeze, ahead of a significant broader liberate on the 2026 movie schedule. Whereas the two initiatives couldn’t be extra numerous on the bottom, the Mamma Mia! actress says her methodology to each and each performances came from the identical feature. She outlined:
Yes, ‘The Housemaid’ is a thriller that didn’t rate loads to personal, and made reasonably a few money, and is a box-feature of job hit. And yet each and each single resolution I made in that movie became as soon as as suave as the selections I made in ‘Ann Lee.’ I finally became as soon as ready to marry the two in my heart and in my head, and I realized that’s what I need for the leisure of my profession. I’m going to jump between genres as significant as I will, and jump between indies and studios. So I’ve gotten this far with out an Oscar. Why would I need one now?
The Les Misérables alum is swiftly to admit that winning an Oscar would, certainly, be an honor. It’s now not one thing she’d flip down. Peaceful, when it comes to explicit profession momentum, she believes the nomination carries extra weight than the procure itself.
At this stage, the Mank well-known person feels she’s already proven what she can enact, tantalizing conveniently between genres and balancing indie initiatives with huge studio movies. An Oscar, in her explore, isn’t well-known anymore. As Seyfried added:
Sure. But I personal I’m already proven. I’m getting other folks to have faith me to enact laborious things. All of us have ebbs and flows in our careers, and the contrivance in which we’re perceived can change from day after day, but I’m fixed in my decisions and I’m fixed in my values and my needs. I’m additionally sitting aesthetic staunch now, attributable to “The Housemaid” made money. That’s now not continuously the case. Typically you’re in “Mamma Mia!” Typically, you enact one thing cherish ‘Ted 2,’ or ‘A Million Methods to Die within the West,’ which have been each and each speculated to enact huge box-feature of job, and underperformed.
Seyfried summed it up merely: she feels proven. After virtually 25 years working gradually across movie and tv, the well-known person of Enormous Fancy (which streaming with an HBO Max subscription) has proven that longevity doesn’t scheme from chasing trophies. It comes from considerate decisions and a willingness to treat each and each venture as art, no matter scale. It’s now not the contrivance of reply you inquire of in an Oscar-driven change, namely at some stage in award season, but the contrivance in which she lays it out makes her standpoint laborious to argue with.
For audiences strange to explore that philosophy in action, The Housemaid is light taking part in in theaters. And for these eager to rep her awards-season flip in The Testament of Ann Lee, the movie expands nationwide beginning January 23, 2026, following its small liberate.
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